Kingston Trio Singles Discography5/7/2021
With help from the Trios bassist and musicologist David Buck Wheat, Guard embarked on a self-education program of learning more about harmony, becoming more and more disenchanted with what appeared to him to be a lack of willingness or effort to improve on the part of his partners. 4.Please help to improve this article by introducing more precise citations.July 2015 ) ( Learn how and when to remove this template message ).Along with Nick Reynolds and Bob Shane, he was one of the founding members of The Kingston Trio.
Upon completion of his final year of high school in 1952 at Menlo School, a private prep school in Menlo Park, California, he matriculated at nearby Stanford University, graduating in 1957 with a degree in economics. Guard called his group Dave Guard and the Calypsonians, with a Weavers -style signature sound that was principally two guitars, a banjo, and rollicking vocals. Guard kept the group together after Reynolds and Shane left, changing the name of the Calypsonians to The Kingston Quartet. Then in 1957, when Reynolds and Shane agreed to team up with Guard again, the group changed its name to The Kingston Trio. Under contract with Capitol Records, the Trio became a huge commercial and influential success. Guard grew up hearing the soft vocal melodies and strummed guitars of Hawaiian music. He was particularly attracted to the unique rhythmic sounds of finger-picked slack-key ukulele and guitar music masterfully performed by the many of his neighbors and beach boys. Hawaiian culture and music played an important part in his schools educational program. Along with all his other classmates, Guard early on learned to play Hawaiis ubiquitous ukulele in a 7th grade junior high school music class required of all students. It was in that class that Punahous young 7th graders like Guard and his future Kingston Trio partner-to-be Shane learned the basics of playing the ukulele. The ukulele class made an impact on Shane, who during the next four years progressed steadily from the 4-string ukulele to the less toy-like and more professional-appearing baritone uke, on to the tenor guitar, and finally to the 6-string acoustic guitar. In his junior year he participated in musical skits along with a number of other classmates who, like himself, had by that time also had become accomplished musicians. Guard left Punahou at the end of his junior year, completing his final year of high school at the Menlo School, a private prep school that helped him prepare for acceptance and matriculation at nearby Stanford University. At Stanford Guard was a member of the Beta Chi chapter of Sigma Nu fraternity. Later, when Reynolds also left the Calypsonians, Guard replaced him with Don MacArthur to keep the quartet format intact, but by that time the national interest in calypso rhythms was waning, while Guards musical growth was reaching out from calypso as well. Still appreciating Caribbean rhythms and vocals, but given his more eclectic folk music interests, Guard changed the name of the four Calypsonians to The Kingston Quartet. Werbers offer, however, was contingent upon replacing Gannon and Bogue, and shortly thereafter both left the group. Guard and Reynolds contacted former Calypsonian member Shane (who was performing part-time in Honolulu) asking him to join the reconstituted group. In 1957, back again as a trio as in their previous college days, they changed its name to The Kingston Trio. In addition to developing the characteristic Kingston Trio sound of the groups two guitars and a banjo, success came to the group from Guards musical arrangements and renditions of folk and Irish ballads, Shanes talent for style and performance along with an innate knowledge of what pleased audiences, and Reynoldss management of the groups logistics. The Kingston Trios many songs include Tom Dooley, A Worried Man, Hard Travelin, The Tijuana Jail, Greenback Dollar, Reverend Mr. Black, Sloop John B, Scotch and Soda, Merry Minuet, Hard, Aint It Hard, Zombie Jamboree, M.T.A., Three Jolly Coachmen, and Raspberries, Strawberries. With help from the Trios bassist and musicologist David Buck Wheat, Guard embarked on a self-education program of learning more about harmony, becoming more and more disenchanted with what appeared to him to be a lack of willingness or effort to improve on the part of his partners.
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